2.21 — “Deadlock”

2.21 — “Deadlock”

Plot: A string of mechanical disasters follows after Voyager takes refuge in a plasma cloud to evade a fleet of Vidiian warships, threatening the integrity of the ship and the lives within. The jeopardy escalates as the crew discovers the ship has split into duplicates across a permeable dimensional barrier.

Thoughts: My goodness! This episode is pretty good!

Perhaps it relies too much on technobabble, but arguably in a good way for once. There’s great pacing and action and interesting scenes and ideas! Childbirth by transporter! Hooray new medical technology. (Note: the transporter is terrifying.)

Best of all, this feels like a defining episode for Janeway, whose ethos may be described as. “I will sacrifice everything for matters of principle, and I will not back down.” The duplicate ships test this by posing questions. Does it matter what the other entity is worth? If it is, by definition, worth no more than you? What if it takes place in another dimension? What kind of sacrifice are you willing to make for beings you are not accountable to, when few others will know?

The technical shooting achievements are impressive. Some extended tracking shots pan around to find Kes 1 and Kes 2 in different parts of the room which I suspect were done in camera by having the actor (Jennifer Lien) scramble from point A to point B during other actors’ closeups. Kate Mulgrew makes a good scene partner for herself. And the scene of Harry Kim getting sucked out into space? Could have been accomplished better with more time and money, but is still an unforgettable ONTD (“Oh no they didn’t”) moment.

Danger is back for our complacent crew that seemed to have forgotten that it’s cut off and stranded. The director appears to take wicked joy finding ways to snuff the characters (“Harvest these organs!”). Naomi Wildman’s birthday will be a day to remember.

And now (just like Naomi), Harry Kim lives in a dimension that is not his own (if only slightly removed), after witnessing the destruction of his ship and his friends. With no ship’s counselor aboard! I feel like Kim has gone on a number of other weird journeys in episodes like 1.9, “Emanations” (Harry crosses a dimensional barrier to start a new life with the Vhnori, who think he comes from their afterlife), and 2.5, “Non Sequitur” (Harry is transported to an alternate 24th century San Francisco, where he never boarded Voyager, and is forced to consider what sacrifices are owed to an alternative timeline). I wonder… oh yes! All three of these episodes are written by Brannon Braga, working at his best again after the recent lapse of 2.15, “Threshold” (Tom Paris devolves into a salamander). Braga gave us memorable episodes like TNG 6.21, “Frame of Mind” (Riker thinks he’s going crazy), and TNG 6.25 “Timescape” (NCC-1701D is trapped in a doom loop and repeatedly destroyed).

Examining our moral duty to others through levels of abstraction is a premise worthy of Star Trek, and, apropos of nothing, reminds me that I should start watching The Good Place (2016-?).

4 out of 5 proton bursts from another world.

http://memory-alpha.wikia.com/wiki/Deadlock_(episode)


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3 responses to “2.21 — “Deadlock””

  1. Randi Cohen Avatar

    Yes, this is a reasonably good episode! It makes me wonder, does it make a person calmer in looking forward to dying to know that a double will live on? (Evidently, yes.)

    Also, from the beginning, I figured this has to be some kind of alternate reality plotline, since killing babies is just not Star Trek. Kudos to Braga for managing to surprise me about the specifics.

    I could quibble that Harry and the baby are not the only crew who died so not the only ones who should cross over… but it’s a relatively minor quibble. Also it’d be great if there were a reason beyond technobabble that any of this happened… maybe the scavenger race has a technology to double beings so that there’s more to harvest or something.

    Harry’s reaction is… well, very Harry. It seems like he could magically transport down the rabbit hole and he’d be like: “It seems weird that there’s a talking rabbit, but maybe that’s just me.” It’d be neat to see a more reactive character be put in these situations. It’s like he’s the O’Brien of VOY, I guess. But without the angry edge that O’Brien can have.

    For such an overwhelming event, it seems like there is little crew reaction. How about at least a memorial service?

  2. Kevin Black Avatar

    That’s interesting, that Harry is the O’Brien of Voyager! I wonder if they intended it to be Paris, but he really doesn’t fit the bill.

    The lower-ranking commonor’s voice character in TOS would be Chekov, I guess, but he does’t feel like O’Brien either (and in any case wasn’t given much to do on any regular basis until the film series). I don’t think there is a cognate in TNG (unless it is also O’Brien)–maybe Ensign Ro, but she only appeared in 8 episodes.

  3. Kevin Black Avatar

    Yes, the insensitivity to other crew deaths bugs me too! There’s a fresh example in next week’s episode. Especially since it ties (or should tie) into the overarching theme of not having enough resources (crew, shuttlecraft, basic supplies), and needing to conserve them. So every death should be trebly felt and have outsize collateral consequences on things like crew morale.

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