2.18 — “Death Wish”
Plot: Voyager rescues an unfamiliar alien from a prison inside a comet who calls himself Q and wields the power of the Continuum. The familiar Q is summoned and accuses the new Q of a shocking crime–that of wanting to die. How will Janeway handle being caught between a suicidal Q’s request for asylum and another Q’s opposition?
Thoughts: This episode is so infuriating! I wrote enough angry notes to fill two sheets of paper.
I don’t know how you write an episode ostensibly about assisted suicide without attempting to address any of the following topics: depression, self-determination, therapy, or religion. Basically? You don’t. The episode wants to appear to be about something serious, but amounts to a pseudo-intellectual porridge of pretentious rot.
I don’t know how you decide to cast John de Lancie as the straight man and make his foil a boring middle-aged white guy with no charisma. What? Why?
Q isn’t my favorite character, but he has potential. Any universe that contains him is full of mysteries which he is in a unique position to unlock. “Death Wish” makes him very small. For one thing, their lives seem to revolve around Earthlings. New Q is even more obsessed with Earth than the old! But the perspective of these timeless beings only seems to go back 700 years to the time of Isaac Newton. Each are manipulated and outsmarted by Tuvok. Q once put all of humanity on trial, but now he gives Janeway authority to lecture him, smugly condescend to the Continuum, and pass judgment over its internal affairs and even the life or death of one of its members.
Then there’s the sloppy stuff. New Q has been imprisoned for 300 years, but he knows all about Old Q’s adventures with the Enterprise and his discipline by the continuum in TNG 3.13, “Déjà Q.” He says that these escapades were what inspired him to rebel against the Continuum, while his imprisonment causes New Q to develop a more sober lifestyle, which strangely had not yet happened the last time we saw Q in “All Good Things…”. This timeline is tangled.
The whole history of the Romulans and Vulcans is trivialized. See, it was just New Q messing around, causing a war.
Don’t get me started about the sexism. Is Q speaking the inner thoughts of the writing staff when he taunts Janeway for presuming to be a female captain, and then jumps straight into her bed?
A cameo by Will Riker ought to be significant. This scene is stupid. No one reacts to meeting Isaac Newton? Why does Newton speak in a silly voice?
“Death Wish” is so gutless, no one thinks to mention that Q can take the crew home. When he mentions it himself, two thirds in, Janeway shrugs off the idea as impertinent.
Voyager is a research vessel. It beggars belief that the crew’s primary reaction to encountering a pair of Q would be impatience, and irritation about bad manners. There is so much to be learned, so much to accomplish. And no one’s even allowed to admit they want to go home.
Augh!
1 out of 5 stolen Starfleet uniforms, worn for no reason. No one on Voyager cares about stolen valor? Guess not.
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