3.15 — “Yesterday’s Enterprise”

3.15 — “Yesterday’s Enterprise”

Plot: The Enterprise NCC 1701-C‘s arrival  out of a temporal rift from 22 years in the past sends the current Enterprise abruptly into an alternate dimension, where the Federation is at war with the Klingon Empire, and Tasha Yar is still the security chief in her fourth year of service (there being less opportunity to fraternize with psychopathic tar monsters in this timeline, presumably). Guinan alone senses the change, and reveals to Picard what has happened. It seems the NCC 1701-C’s escape into the future saved a portion of its crew at the expense of failing to avert an intergalactic war. Picard is forced to ask, do the needs of the many outweigh the needs of the few? (Personally, I feel that Star Trek III has the better side of that argument.)

Thoughts: “Yesterday’s Enterprise” is brilliant in broad strokes; a little less so in its details. It’s a great world-building episode. My number one question: what happened to the NCC 1701-B? I want to know (but I’m not going to cheat by reading Wikipedia). The time travel device is most exciting because it is used to create a greater sense of continuity than we have ever had before between the world of Kirk and Spock and this new Enterprise with a Klingon officer on the bridge.

The inspiration for “Yesterday’s Enterprise” came from a script submitted by a fan of the show, after new producer Michael Piller opened up a submission process early in the production of Third Season. Piller also hired true fans like Ronald D Moore to work on the show, who expanded on the original premise. It makes a lot of difference.

Piller’s willingness to bring Tasha Yar back demonstrates that he’s ready to respond to criticism and make TNG into the show the fans want to watch. She gets a death with meaning. Better yet, her death gives the show meaning. Now we know that Gene Roddenberry’s plummy utopian future didn’t just come about with the stroke of a pen–it was born of sacrifice (by the crew of a ship named Enterprise), and it is fragile. Instead of being preordained, a peaceful future becomes something we can achieve by making the right choices, staying vigilant, and maintaining them. Bam! The Enterprise has a purpose. Remember wondering during First Season what the ship was even doing out there? Now Guinan tells us why: “This is not a ship of war. This a ship of peace.”

Alas, I hate to disagree with Dara Korra’ti, but I still don’t think that Denise Crosby is a great actor. The quality of the guest actors playing Castillo and especially Captain Garrett mostly made up for this. Still, when Crosby is playing crucial scenes against Castillo, Guinan, and PIcard, I am mostly thinking “I see what they are going for here” and not “I believe in this character and her situation.”

About the possibility of war with the Klingons–I guess the Organian Peace Treaty didn’t hold up? Maybe it expired, or the Organians ascended to another plane of existence. I have trouble believing that the Klingon Empire could really defeat the Federation. Perhaps this because the Klingons were originally conceived as a surrogate for the USSR, and I am culturally chauvinistic.

The explanation that peace between the Federation and the Klingon Empire came about through the creation of a debt of honor based on a selfless Federation sacrifice seems like a perfectly elegant, reasonable explanation to me, consistent with both with prior episodes and broad franchise themes, for something that has always been a head-scratcher until now. Good work, writers! This should provide a platform for more good Klingon-centered episodes in the future.

The other hero here is director David Carson, who on the strength of his direction of this episode was invited back to direct the premiere episode of DS9 in 1993 and the film Star Trek: Generations (1994). Under his guidance, the new lighting plot and camera angles used to create the parallel Enterprise look fantastic. Although the look was moody and interesting, I couldn’t help thinking the dim light was impractical. No way Picard would just sit in the dark to read in his ready room! If this was done week in and week out, however, we’d just go with it. The contrast between the light and the dark also perfectly illustrates what the episode is about.

Originally the finale of the episode was supposed to be more of a bloodbath, which almost all the main characters in the alternate dimension meeting a nasty end. Too bad we didn’t get more of that–TNG is better off being a bit dangerous, and who wouldn’t want to see Wesley get decapitated? Sorry, Wil Wheaton. sunny jim says you look good in your regular uniform.

Some details, they don’t make sense. How does Guinan know the things she knows? Even given what she knows, why would she tell Tasha that her death was meaningless? Where did the temporal rift come from? Part of what makes this episode great, however, is that it is willing to blow past these questions and dare to dream big.

“Yesterday’s Enterprise” may not be perfect, but I’m rounding up. 5 out of 5 glasses of prune juice–a warrior’s drink.

http://en.memory-alpha.wikia.com/wiki/Yesterday%27s_Enterprise


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10 responses to “3.15 — “Yesterday’s Enterprise””

  1. Kevin Black Avatar

    Agree this is an episode that elevates everyone, and the series. On a basic level it asks what does it mean for your life, or actions, to be meaningful? How much does it matter? If you have a chance to bail out when things go badly, like the 1701-C crew, do you take it? Plus the storytelling options opened up are tremendous. We saw some of them exploited in Babylon 5.

  2. Kevin Black Avatar

    Because I feel bad, I should clarify that I think the main problem with Denise Crosby is she was miscast.

  3. Randi Cohen Avatar

    I also had a hard time with Denise Crosby’s acting.  I am curious what type of role might have been better for her?  The one time that she actually did sell me was the scene in Picard’s office when she grants her wish and she looks suitably terrified yet resolved that he said yes.  Very hard for me to buy the romance between her and the Enterprise C officer though.

    Whoopi Goldberg, as always, was awesome.  Gates McFadden… eh.  Still, as always, hard to believe she’s a doctor.  As she does in this episode, she often acts personally wounded when people ignore her medical advice, and I think that’s so unrealistic.  The appropriate range of affect contains any of the following: stoicism, annoyance, contained moral outrage/forcefulness, even rueful empathy or possibly dark humor.  But acting hurt because a patient doesn’t follow your advice?  That’s weird to me, and I think a person would burn out on medicine fast if that was their attitude.  The character as portrayed just doesn’t seem to have any boundary between personal and professional and that makes it hard for me to respect her.

    Overall… wow.  The quality of writing of this episode is just far and away better than any other that I’ve seen so far of TNG.  It almost seems more like a movie than a TV show, and certainly more like a season finale than just a mid-season episode.  The time travel part kind of makes logical sense,  which is nice.  Riker takes one for the team with the intense make-up job (again).  I do appreciate Jonathan Frakes for this. 

    My favorite moment: when Picard leaps over the duty station at the end and says something like “not on your life”.  I don’t miss the gory deaths of the bridge crew really, I think it’s not really Star Trek if it gets that gory.  I like the inherent hope and optimism of that semi-humorous moment much better.

    Amazing that this episode came right after the completely pallid and forgettable one before it…

  4. Kevin Black Avatar

    I think Crosby could have done all right in a more contemporary show. One of the TNG episode commentaries I listened to recently on the 3rd season Blu-ray set contained the observation that Star Trek is essentially a period piece (although the time period is in the future) and requires a facility for period acting which is a little bit mannered and classical–pure naturalism doesn’t work well. For guest actors, they had the best luck with people who had extensive stage experience. Foreigners, especially Brits, were good as well, probably because their tradition tends more in that direction.

  5. Randi Cohen Avatar

    Wow, that really makes sense. It does seem like the style of acting on star trek is mannered, as you say. Thanks for that insight.

  6. R. Alex Reutter Avatar

    Prune juice, a “warrior’s drink”.  They’ve become really good at writing these teasers.  

    Someone really liked “Mirror, Mirror” and wanted to do an STNG version of the story.  Let’s hope this fares better than “The Naked Now”.  (and it does!!)

    Loving the darkened lighting, and how Patrick Stewart has changed his performance so that he’s still Picard, but one who has lived through a lifetime of war: quick, clipped, martial.  I’m not sure the others have fared as well… they seem to be playing their normal selves.

    “I do know it was an empty death.  A death without purpose.”  SLAM on the season 1 writers.

    Not much more to say here.  One of Sarahmac’s all-time favorites as it features Tasha Yar and Guinan.

  7. R. Alex Reutter Avatar

    re: the Federation losing to the Klingon Empire; it could absolutely happen, especially if the Romulans are helping the Klingon war effort

    re: Denise Crosby; what’s interesting is that everyone’s spirits should seem a little ground down by the war (again, Patrick Stewart FTW), but Tasha Yar, who would have gone through the Academy during the height of the war and only knows this war, is bubbling with energy, enthusiasm and pride for her ship.  How much of this is fueled by hormonal flirting with Castillo? or that this life is more familiar to (but still better than) her childhood? or the actor slightly misplaying the part?

    As I mentioned in another post, I liked Crosby’s Yar in the first season; she has the best expressions of intensity in the cast — Dorn has a lovely sneer and Frakes has a tremendous brow furrow, but Yar seems fully focused on the task at hand with a slight glow of anticipation.

    Lastly, loved Captain Garrett, right up until she took shrapnel to the head.

  8. Randi Cohen Avatar

    Yes, Garrett was great. Captain first, woman second (like the male characters are men second). Not enough of those characters on TNG.

  9. Kevin Black Avatar

    I just never bought Crosby as coming from Tasha Yar’s background. She always looked as if she stepped right out of a Revlon campaign, with a bright-eyed, go-getter attitude that comes from privilege, not the character’s background, or training for that matter in security. Hence I believe the problem was that she was miscast. If the producers really wanted to use her on the show (Denise Crosby originally came in to read for Troi; she and Marina Sirtis switched roles just prior to final casting), they should have adjusted the character background to be a better fit for their actor. I’m not sure how much range she had at that time, but I will say that Crosby had a lot of screen presence. The show did a good job of casting a group of actors who refuse to just fade into the background. It did a much worse job (especially in the first season) of figuring out how to make use of them.

  10. Randi Cohen Avatar

    Interesting. I wonder how Marina would have done with the role of Yar. But yes, totally, she doesn’t act like someone with multiple traumas in her past. We never see how they affected her psychologically.

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