1.23 — “Skin of Evil”

1.23 — “Skin of Evil”

Plot: Troi is returning to the Enterprise on a shuttlecraft when the pilot loses control and crash lands on a planet. A rescue team approaching the shuttle encounters a black pool of sentient goo with a serious attitude problem. Out of pique, the talking oil slick (whose name is Armus) kills Yar. Will she be resurrected by the end of the episode? (spoiler: no.)

Thoughts: IGN reviewer RL Shaffer (quoted on Wikipedia) is quite correct to point out that but for Yar’s death, this episode would be completely forgettable.

What is the crew’s goal? They need to walk over to a shuttlecraft. What is their obstacle? Something doesn’t want them to. Why? Because it’s evil. Wait, that’s it? Pretty much. How does it try to stop them? With its magic powers of stoppingness. What else does it do? Nothing. It waits.

I found the oil slick effect used to create the creature to be simultaneously impressive and inadequate. Creating the effect must have consumed a lot of effort–but to what end? At least something on screen is representing the industry and creativity of somebody.

Instead of an oil slick, the creature could have been anything. Perhaps an energy cloud, as in the 10,000 times better episode, TOS 2.9, “Metamorphosis.” 

Yet this episode is unforgettable, because it contains the death of Lt. Yar, and her very long but admirably earnest memorial scene. Why did Denise Crosby want to leave the show?  In this interview (http://www.startrek.com/article/catching-up-with-denise-crosby-part-1), she says:

“I was miserable. I couldn’t wait to get off that show. I was dying. This was not an overnight decision. I was grateful to have made that many episodes, but I didn’t want to spend the next six years going “Aye, aye, captain,” and standing there, in the same uniform, in the same position on the bridge. It just scared the hell out of me that this was what I was going to be doing for the next X-amount of years.”

Good for her! I think watching “Skin of Evil” may have also been the moment I gave up and quit the show back in April 1988. (In my memory, the death of Yar happened in the first 5 minutes, and I was fuming).

In part two of the same interview (http://www.startrek.com/article/catching-up-with-denise-crosby-part-2), Crosby says:

“In hindsight, it was a very male-driven set. I think that the women were not really included. For me, certainly, I felt it was very much a boys’ club, the whole show. I didn’t really feel a part of it, in some way, you know?”

Yep. Even this episode comes off as misogynist and weird.

Nitpicks: Troi keeps forgetting completely about the pilot character, dead or dying on the other side of the shuttle, even as she tells Armus “We are members of a community. We all care for one another.“ 

I almost lost it when I heard the line “Neurons are beginning to depolarize” during the sickbay resuscitation scene. Is this intended as black comedy?

When he sees that the shuttlecraft is in trouble, Picard orders the warp drives to be placed back online, and increases speed to Warp 8 so they can rush to the rescue. 8? Can you imagine the distance represented by travelling even for one minute at Warp 8? The mind boggles.

I’m forced to wonder how often Yar indulged in her hobby of recording death speeches for her shipmates. This is just unintelligible as a normal human behavior. Did the eight surviving cast members rush off to re-record their own maudlin farewell speeches so as to delete their own final messages for Yar? She seems quite certain that whatever it is that gets her, she’ll be the only one that gets gotten.

Picard tells Yar in the end, “Au revior.” Is this a stealthy expression of religious belief? That seems very unlike the Gene Roddenberry who produced TOS. Perhaps Jean Luc was referring to their afterlife on the convention circuit?

 

Lt. Worf gets his field promotion to acting chief of security. Good for him.

For all the problems, the actors play the final scene straight, professing their characters’ love for each other with such sincerity as to make me feel like a lout for wanting to assign a failing grade to the episode. With due respect for Denise Crosby, however, I must.

http://en.memory-alpha.org/wiki/Skin_of_Evil


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11 responses to “1.23 — “Skin of Evil””

  1. R. Alex Reutter Avatar

    Is Yar flirting with Worf?  Man, that is goofy 80’s electronic pop they’re playing in the background.

    Troi’s shuttle crashes while the ship’s engines are under maintenance, and Picard is somewhat reckless in his desire to get to the crash site quickly.

    The landing party is blocked by an oil slick, which moves to follow them.  I like Crusher’s instinct to jump over it, and Riker’s caution to stop her, but the landing party has now taken longer to deal with this oil slick than the chief engineer was allowed to get the warp drive back online.

    The oil slick casually kills Yar, and the away team is beamed up, and they leave the shuttle crew on the planet.

    Back on the planet, Troi verbally fences with, and ultimately counsels, the oil slick.  She makes it mad, and the away team completely ignores the oil slick for a while, allowing it to sneak up on them and capture Riker?!!  I have to respect Frakes for having oil slick slathered all over him.  That looks nasty.

    Finally, Picard beams down and talks the creature into submission, in old-school Kirk style.

    Holodeck!  Does not feel as immersive as the later holodeck programs, which actually works for me.  And wow, self-eulogy.  This would mean so much more if the character had had a chance to grow.  How often do you think Yar updated this recording?  These security types are morbid.  Wouldn’t it have been awkward if someone were present who wasn’t mentioned on the recording?  Maybe there’s a README file attached to say who should be present.

    Gah, another teachable moment for Data at the end.

    Watching this, I think I’ve never actually seen it before.  I watched the first few episodes of season 1, got bored, and didn’t come back until the series got better.  I still can’t believe they gave a character with this much potential the redshirt treatment.  

  2. R. Alex Reutter Avatar

    Also, Kevin, “magic powers of stoppingness”.  I could look at that again and again, unlike this episode.  I’m happy for Worf, because it’s not clear his character would have had the space to develop without Yar’s death, but this stinks.  I didn’t want any of the main cast to die pointlessly; they all have their moments.

  3. Randi Cohen Avatar

    It is way more entertaining reading your reviews than watching the actual episodes!

    Horrible name for an episode.  I thought this one was okay.  Not great in that there was not much moral point to it, and this creature of supposedly super-advanced powers is laughably easily outwitted in the end.  Still, there was a credible sense of threat and the concept of a species discarding their evil natures and leaving them behind to become self-aware was kind of neat.  I wish it had been developed better.  

    Tasha dies… too bad, I feel like she never really lived.  This is apparent in her eulogy of herself, which tries to be profound but is in the end quite superficial, kind of the way her character is.  Too bad, as I could have seen a neat romance developing between her and Worf if the character ever became comfortable enough in her own skin to seem real.  Not sure how much of this is bad writing (clearly some is bad writing) and how much is the acting.  I don’t really feel this actress does darkness well, which is such an important part of Tasha’s character.  In talking about addiction in the last episode, the delivery was almost like she was in an after-school special.

    Anyway, not to be totally cold, but Worf as Chief of Security makes more sense (despite his embarrassing total wimp-out session with Lor in the elevator some episodes ago).

    I agree with Alex that I do respect Frakes more for putting up with the no doubt highly uncomfortable oil-slickification process.  

  4. R. Alex Reutter Avatar

    I’m definitely weeping for the potential of Yar and not what we got to see. I think the same problems exist for most of them at this point. If they killed Riker or Worf or LaForge, would we remember them based upon what we’ve seen of them so far or what they might have become?

  5. Randi Cohen Avatar

    Agreed!  Character development thus far is pretty nonexistent, except perhaps for Troi (which is odd because the show is fairly misogynistic so far, but she is the only character

    with any remotely interesting back-story at all at this point).

  6. Kevin Black Avatar

    There are quite a few bon mots being shed over this one! I think when they developed the idea of a shadow creature of disowned evil, they might have been thinking of A Wizard of Earthsea (although it’s been 20 years since I read it!). They made such a point of not killing the creature, but they were just fine abandoning it to its loneliness and problems and quarantining the planet. It could have been developed better, indeed.

    I got a belly laugh out of “the landing party has now taken longer to deal with this oil slick than the chief engineer was allowed to get the warp drive back online.”

  7. Kevin Black Avatar

    Maybe the landing party could have defeated Armus’ superior technology by splitting up and approaching the shuttlecraft from two different directions.

  8. sunny jim Avatar

    So many things wrong with this one.

    It’s unfortunate for the ship that they’ve lost Tasha – after all, we’ve seen her in charge of security, communications, sensors and more.

    And – is it just me, or does it seem really irresponsible to keep sending important crew members (like the captain) down to the planet to stand two feet from the oil monster? After it has demonstrated its ability to kill quickly and easily.

  9. R. Alex Reutter Avatar

    What Denise Crosby did well was to imbue the character with a nervous energy, as if she’s ready to strike at any moment, in the action scenes.  Any time the character had to act like a regular human being (like lecturing Wesley about drugs or flirting with Worf), she seemed a little weird.  I would have liked to see them play to Crosby’s strengths and turn her apparent weaknesses into strengths — Yar has been hurt, and knows how to hurt.  She shouldn’t be comfortable around the rest of the crew, and typically retreats into flawless execution of her duties and resists being drawn out by other crewmembers in “social” situations.  She only really comes alive in life-or-death situations that require her exceptionally quick thinking, lightning reflexes, and improvisational skills, overlaying years of careful training by Starfleet.  At these times, she even becomes voluble, as it’s necessary to explain the plan and assign duties to ensure the success of the mission or the survival of the away team.

    Her character arc in Season 1 seems almost the reverse of Data’s; while he strives to become more human, her goal is the honing of her body and mind to machinelike perfection.  After we think we know all about Yar, “The Naked Now” becomes a much more effective episode near the start of Season 2.

  10. R. Alex Reutter Avatar

    Also, I’d like to retract my comment that “I like Crusher’s instinct to jump over it, and Riker’s caution to stop her”.  Part of Riker’s character growth over the course of the series is that in Season 1 he starts out as rash, immature, and smug, and he discovers that to grow as a person, he needs to exercise some caution.  Therefore, I would rather have seen Riker “not be stopped by a little oil slick” and get ready to jump over it when Yar prevents him, sensing that the situation is more dangerous.  If they must kill Yar in this episode, it should again be Riker who attempts to bluster his way past the oil slick, who then kills Yar because Riker has disobeyed (because, after all, the oil slick is arbitrary).  Wouldn’t the blame for the death of a crewmember being laid at Riker’s feet be a great thing for the character to work through?  Of course, this could be accomplished with a redshirt as easily as Yar.

  11. Randi Cohen Avatar

    Thanks, Monophylos Fortikos , for the “Tasha’s Exit” video, great stuff!  And so true.  If only the fans got to rewrite all the episodes, things would be so much better!

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