3.8 — “For the World is Hollow and I Have Touched the Sky”

3.8 — “For the World is Hollow and I Have Touched the Sky”

Plot: The crew traces a brace of missiles back to what appears to be a giant asteroid. The “asteroid” is a hollow spaceship, flying for 10,000 years, filled with descendants of its original travelers, who, their needs provided for by central computer, have forgotten that their home is a spaceship. Meanwhile, Bones receives unsettling news about his health. For him the time is inconvenient, the setting unexpected–but the old medical officer is about to find love.

Thoughts: The title is a lot to live up to. This is a melancholy episode about disillusionment and loss.

DeForest Kelley has so much gravity as an actor that I was rocked by the announcement of McCoy’s illness, although I was aware there was zero chance he would not be cured by the end of the episode. Love, incurable illness–in a more modern series, you would immediately recognize the signs that a member of the main cast was being written off the show.

When K, S, and M are preparing to beam aboard the Yolanda, Kirk is not standing directly on the transporter pad. This seems very dangerous.

FTWIHAIHTTS establishes a new mark for garish costumes.

I somewhat grudgingly like Natira. I don’t really buy her chemistry with DeForest Kelley. She seems a little older than the typical Star Trek ingénue, (which would be appropriate for Bones), but it appears that actress was just 30 at the time of filming (seven years younger than Shatner and 18 years younger than Kelley). Her eye makeup is really something. Nevertheless, I was touched by the character’s integrity and insistence on facing the truth in the end, once the scales have been lifted from her eyes.

Since Natira survives the episode (which I did not expect), that means that Bones is still married–presumably throughout the rest of Star Trek canon. Does he seek her out after the 5-year mission? Do they send each other messages across light years of separation? When we see Bones 10 years later in The Motion Picture, has he granted her a divorce so she can be close to someone who shares her journey? I’m sorry that he is so lonely, and has so rarely known happiness.

Kirk has some very mature scenes in this episode. His interactions with Bones make you recall that they have a professional relationship as well as friendship, which I always appreciate. The best scene is the one where Kirk tells Spock Bones’ secret while Bones is unconscious. Spock reacts, and then shows his sympathy to Bones when he awakes, which Bones accepts in a way that tells you everything about the relationship between the two characters.

3 out of 5 star-crossed lovers holding the cure for incurable diseases.

http://en.wikipedia.org/wiki/For_the_World_Is_Hollow_and_I_Have_Touched_the_Sky


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4 responses to “3.8 — “For the World is Hollow and I Have Touched the Sky””

  1. Randi Cohen Avatar

    I really liked this episode – the main wonderful thing about it is that I actually like McCoy in this episode.  He is usually so histrionic that I find him annoying – but now when the bad news is personal he is pretty stone-faced about it and even wants to conceal it from the rest of the crew, which is a much more vulnerable and appealing stance.

    I also did quite like Natira and her scenes with Bones.  I like that she is the aggressor and that he willingly takes on her people’s culture in order to be with her (although the relationship could be more fleshed out… it seems like it is basically physical attraction only, although their scenes together are sweet).  It is an interesting role reversal.  Although it is slightly hard to swallow that a contrarian like McCoy would accept an implanted mind control device so easily, I guess an impending death sentence does strange things to a person.

    I think it’s great that she’s not dead at the end… and did I mention I love the “hollow generation ship” setup?  Although not sure if I missed the explanation of how it is the ancestors arranged for the fake sun and stars.  Anyway, it was a little lame how all of a sudden she and Bones have to part when nothing has really changed except in a positive direction.  Not sure I follow the logic, although I guess they had to keep him onboard the Enterprise somehow.  It might have been kind of cool if he had a wife onboard the ship though… although not exactly sure how Natira would have fit in it would have been interesting to see her try, since she seems intelligent and strong-willed.

    Natira poses an interesting question… why indeed would the ancestors choose to keep the people ignorant until landfall?  Does not really make a ton of sense and would not have been that hard to explain it as some kind of defect in the ship’s computer if the writers had bothered.  It’s also not clear how that room got set up to deliver so many punishments and why it would have been set up that way in the first place.  The whole religious zealotry thing doesn’t seem to really be needed from the point of view of the Fabrinis (terrible name by the way, sounds like a discount department store).

    Not sure what the overarching moral issue here is, and usually I like it when there is one.  But I like it for the cool setting even if not well-explained and for finally making McCoy likeable.  It’s very watchable for reasons I can’t exactly put my finger on.  

    Oh, I also really like that when her beliefs are challenged, instead of going along with Kirk’s plan to remove the mind control device or the ship computer’s wish to have Kirk destroyed, Natira actually chooses her own path and goes to confront the computer by herself.  A very independent, if not entirely smart, thing to do.  Perhaps she was trying to figure out whom she believed before taking such an irrevocable step as removing the control device.  And by the way, that procedure to remove it was remarkably easy, don’t you think?

    Rating: 4 out of 5 awesome fake hairdos (I’d like to get one like that for special occasions).

  2. Kevin Black Avatar

    I agree that it would be nice to know more about the backstory of the generation ship! Perhaps the Fabrini (sounds like Febreeze to me) were already a theocratic command culture, and the computer was programmed to replicate the role of the high priests on the home world. Maybe it was necessary to conceal some of the trappings of technology to preserve religious dogma? It’s a bit hard to envision the society evolving to this technological state under those conditions, but maybe they were gifted technology by a culture that does not observe the Prime Directive. Or, more likely, there was some sort of social collapse in the latter days (latter thousand years?) of the civilization:

    KIRK: Fabrini? Didn’t the Fabrini sun go nova and destroy its planets? 

    SPOCK: Yes. Towards the end, the Fabrini people lived underground, as these people do, to protect themselves. 

  3. R. Alex Reutter Avatar

    Nice opening.  Missiles are headed for the Enterprise; once the threat is taken care of, they investigate the source of the missiles.  Good hook… though do we find out why the missiles were fired?

    The subplot is that McCoy is dying.  Not much tension, though, because we know he lives.  Still, we can hope for a good Spock/McCoy scene (and we get it!).

    The Big 3 are captured by an amateur fashion show, McCoy falls in love with one of the strongest female characters we’ve seen on Trek, and there’s a ship full of people who don’t know they’re on a spaceship.  It should be a great episode, but it manages to drag, even during the otherwise touching McCoy/Natira scenes.

    I… I could do with less of Kirk shaking Natira and dragging her behind a partition.  “why should the truth be kept from us?  why should the creators keep us in ignorance?”

  4. Randi Cohen Avatar

    Good point!  That had completely escaped me about the missiles having no particular explanation!

    Yes.  Kirk does a little too much shaking and lecturing at crying women for my taste.  I would like to see him shaking and lecturing a crying man instead for variety.  Or perhaps a mongoose.

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