2.14 — “Wolf in the Fold”

2.14 — “Wolf in the Fold”

Plot: On shore leave on Argelus II, Scott takes a shy local woman out for a stroll to lecture her about the meteorology of the British Isles. A short time later, Kirk and McCoy are attracted by a scream and find the girl stabbed a dozen times to death, with Scott standing over the corpse holding a bloody knife. Scott claims to have no memory of what happened. Starfleet regulations give local authorities jurisdiction over the investigation and potential punishment. How did this happen–and will the grisly murders continue?

Thoughts: I am of two minds about “Wolf in the Fold.” On the one hand, I enjoy the macabre flavor that teleplay writer Robert Bloch brings to his 3 episodes of TOS (we have already seen “What Are Little Girls Made Of?” and “Catspaw”). A murder mystery in Star Trek is welcome, and the episode’s later scenes on the Enterprise are delicious. The Redjac entity’s taunt, “Your manual overrides are very limited in life!” is something I may have to get tattooed on my body. I love Spock defeating the computer by making it calculate pi, drugged Sulu, and drugged McCoy. It was disturbing, but also intriguing, to see the crew make use of the transporter as a weapon. It was a surprise to see Jack–I thought he had been abducted by Vorlons. Or was it that he was actually a renegade Time Lord? I must be confused. 

But. Can I resist going all feminist on this episode? I cannot.

The teaser makes it clear that Kirk, McCoy, and Scott’s vision of paradise is a planet which knows how to enslave its women, and present them as prostitutes. The childlike, simple happiness on James Doohan’s face nevertheless almost makes the scene worthwhile. I guess he has forgotten Lt. Palamas from “Who Mourns for Adonais?” Anyway, the less said about McCoy’s explanation that Scott needs to be exposed to exploited females to stop him from resenting all women after being injured in an explosion, the better.

The dancer seems to be inadequately dressed to go out walking in the fog with Scotty, but never mind.

Then there is the spectacle of our crew ogling local women with the encouragement of the indigenous patriarchy, while generally behaving like frat boys at a stag party. Someone says this is the last planet where you would expect a murder to take place. I don’t know–looks like a recipe for violence against women to me.

It’s a nice fantasy that the Jack the Ripper murders might have been committed by a gaseous alien entity, who only selected female (prostitute) victims because “women are more easily and more deeply terrified, generating more sheer horror than the male of the species.” I’m afraid, however, that violence against women is a real thing done by humans, not UFOs, for reasons that very much depend upon gender. This topic deserves far more careful consideration than it is given here.

Let’s please go back to murdering Redshirts.

(Not next episode, however–the next episode has tribbles!)

2 of 5 Rigellian knives made of boridium and murinite.

http://en.wikipedia.org/wiki/Wolf_in_the_Fold


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10 responses to “2.14 — “Wolf in the Fold””

  1. Randi Cohen Avatar

    Very nice reaction piece, Kev.  Yes, there is lots to both like and hate in this episode.

    One annoying piece to me is that logically if the entity can switch bodies so easily, why would it stay in the investigator for long enough to be beamed into space?  And why not take over Spock, as the most physically powerful person in the room, especially since he remains unmedicated?  That is the problem with inventing a super-enemy with limitless powers I guess, it’s hard then to kill it in a self-consistent manner.

    I did love Kirk as Columbo, and the way the drama built in that one room of the Enterprise reminded me a little of “12 Angry Men”.  Despite the misogyny, I thoroughly enjoyed myself because the plot took so many interesting twists.  I kept waiting for the woman in the Enterprise inquiry room (why was she there?) to be killed next.  Interesting that that didn’t happen, and that the entity seems to preferentially inhabit men.

    Another thing that was kind of weird in the episode is that supposedly this is a planet of love and the inhabitants are easily terrified and vulnerable to emotion.  Not sure then how that gibes with the planetary leader seeming to barely notice the death of his wife, on an emotional level.  I guess maybe it was an arranged marriage or something?  But even then you’d think he’d be a bit more broken up about it.

    Rating: 3.5 out of 5 jealous fiances with very flat noses (that was clever how that was filmed… I really thought he had something to do with it!).

  2. Kevin Black Avatar

    Yeah, they had me with the jealous guy, too. I thought he looked like Joaquim Phoenix. At some point, I think I started remembering that the short guy with the high voice was the responsible party, from some long ago viewing.

  3. Kevin Black Avatar

    Of course, once they introduce the infallible computer, it takes some of the tension out of it. The computer cleared the jealous guy! Who’s left?

  4. Bill Testerman Avatar

    Overall I like “Wolf in the Fold” for it’s far out imagination, and I think it’s Robert Bloch’s best script of the 3 he wrote for the show. It does let humans off the hook for SOME of the murders done on Earth, and however unlikely that may be I think it’s possible. And it’s a scream that unassuming John Fiedler was cast as the killer.

    As the two of you have pointed out, there are some oddities in this episode. Here’s some: 1) I don’t know either why the evil entity didn’t switch to another person when suspicion was closing in on Hingis; 2) since Scotty says he’s going for a “walk in the fog with a bonnie lass,” why (as he later described this) did he walk ahead of her “to lead the way”?! 3) when the woman from the Enterprise beams down with a psychotricorder, why do she and Hingis nod to each other as though it’s some kind of signal? 4) since a psychotricorder could be beamed down to the planet, why do they then need to take everyone up to the Enterprise for the same procedure? and 5) why would Scotty develop an aversion to ALL women because one woman caused him to hit his head on the Enterprise?! These are puzzling aspects of this episode to me.

    Overall good spooky story, but due to these weaknesses I downgrade it to a 3.5.

  5. R. Alex Reutter Avatar

    We haven’t seen this kind of belly dancing since the Pilot!

    Is… is Kirk procuring women for his crew?  And are we to understand that Scotty in particular needs “it” because women are incompetent at engineering?  I mean, what happens when one of his male subordinates screws up?  Are we to be concerned that he’ll take out his anger and frustration on other males?  

    I’m pretty sure from the voice that the actor who is the planetary administrator provides the voice of Piglet in the Disney adaptation.  [checked afterwards; yes, it’s him]

    I have a good idea.  Let’s leave the suspected murderer alone with someone who fits the profile of the victims.

    So… we have a magic machine on the Enterprise that can tell whether Scotty killed these women, and we’re going to try that after the seance?  And this machine is absolutely trivial to switch from one person to another, and we’re not going to simply have everyone declare their innocence while hooked up to the magic machine?  Ugh, all this supposition is for nothing.  That’s the problem with inventing magic machines.

    Uh, oh, methinks Piglet doth protest too much.  Yep, he’s the murderer.

    Like “Who Mourns for Adonais”, this episode explains something odd in earth’s past with aliens, but it doesn’t really work as well.  Casting Piglet as the murderer is a nice touch because he seems so physically unthreatening, but there’s too much magic and not enough detective work.

  6. Kevin Black Avatar

    I’m slowly making my way through Marc Cushman’s TOS: Season Two book (I’m now on page 160 out of 688, or 637 without the indexes and bibliography), which is a delight not just for the behind the scenes details, but for his incisive assessments of the episodes themselves (even if I don’t always agree with them). This is good (i.e., I wish I’d written it):

         “‘Wolf in the Fold’ is entertaining, although it has an atypical story arc — hedonistic sexploitation gives way to gothic horror, then murder mystery, complete with candlelight séance and screams in the dark, followed by courtroom drama, a sci-fi funhouse romp, and finally, broad comedy. . . . Like ‘Catspaw,’ also by Robert Bloch, ‘Wolf in the Fold’ is a guilty pleasure.”

  7. R. Alex Reutter Avatar

    That is a great assessment, though I recall “Wolf in the Fold” being more pleasurable than “Catspaw”. 

  8. Kevin Black Avatar

    In the first draft, it was Sulu who was charged with murder.

  9. Katharine Bond Avatar

    Coming late to the party, but I couldn’t let the “women are more easily terrified” part pass. Just ugh. I was willing to let the belly dancing slide and the Scotty needs sex to get over being beaten up by a woman slide, but that part was just too much.

  10. R. Alex Reutter Avatar

    This is similar to what I really disliked about the Scotty being injured plot. It was presented as, “a female engineer screwed up and Scotty was hurt because women are klutzes and shouldn’t be allowed around heavy machinery.” UGH.

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