2.9 — “Metamorphosis”

2.9 — “Metamorphosis”

Plot: En route to the Enterprise, after picking up a diplomat needing medical care from Epsilon Canaris III, the shuttlecraft Galileo is pulled off course by a mysterious energy force in space. Spock says he’s never seen anything like it before, although it’s not so different from encounters the ship has had in “The Squire of Gothos,” “The Corbomite Maneuver,” and “Who Mourns for Adonais?” Held by the force, Kirk, Spock, McCoy, Commissioner Nancy Hedford, and the Galileo are marooned on a small, inhabitable planetoid. There, they meet the strange Mr. Cochrane, a young man from Earth who is out of place and unable–or unwilling–to give a sufficient account of himself. Incredibly, this turns out to be Zefram Cochrane, star of Star Trek: First Contact, and inventor of the warp drive, alive and well 150 years after his recorded death. What is he doing here, what is the strange entity he calls The Companion, and will Kirk and crew be stuck on this rock forever?

Thoughts: You never know what you’re going to find out there. This is a little like journeying to the dark side of the moon and finding Albert Einstein eating a sandwich.

“Metamorphosis” succeeds in having a distinct look and feel. I love stories where you can’t tell where they’re going. At the end of the teaser and the first act, it seems the story could still veer off in a hundred directions.

The planetoid is slightly bioluminescent, like Pandora. Good job with the graphics, matte painting, and special effects, enhanced, of course, by the team who worked on the remastered special effects.

Something about the dynamic in the shuttlecraft, with the imperious female authority figure making impossible demands of the hapless flight crew  mid-crisis, gave me powerful déjà vu. I can’t quite place from where–perhaps Commr. Hedford reminds me of the dog-walking lady in A Fish Called Wanda? I’m sure Star Trek didn’t invent this dynamic, but It works nonetheless.

Here’s a beautiful piece of dialogue: “We’re on a thousand planets and spreading out. We cross fantastic distances and everything’s alive, Cochrane. Life everywhere. We estimate there are millions of planets with intelligent life. We haven’t begun to map them.”

We get a view of the burdens of command weighing on Kirk, making him think more like a soldier than a diplomat, and of him falling back on McCoy to remind him of his humanity, and Spock of his scientific curiosity. This feels like season one Kirk. I like these scenes. Shatner’s monologue about how we need obstacles to overcome in order to thrive is more affecting than the usual paean to human fallibility.

Most interesting (other than the first reference in Trek to a universal translator! Ah! A small effort to make sense of the peculiar rules of the Star Trek universe, where space has gravity, light speed is no constraint, English is a universal interspecies language, and the thoroughness of the colonization of space in a scant 300 years defies all practical limitations) is K, S, & M’s dialogue refuting Cochrane’s gut reaction that interspecies romance is disgusting, indecent and immoral. Instead, they say, there is no problem, if the relationship is emotionally satisfying, practical, and harmless. Differences? “You get used to those things.” Do I mistake myself, or is this an argument for acceptance of homosexuality (not to mention tolerance of things like interracial romance), disguised for mainstream television broadcast in the year 1967?

Cochrane’s line “I just sort of clear my mind and it comes” had me thinking that the episode was going to go in a more metaphysical/religious direction, with meditation (prayer?) being the key to give Cochrane access to a healing, encompassing and omnipotent protective force. They don’t quite go there, but there’s enough of a suggestion of this to add further dimension to the story. The story, after all, ends up being about the overriding psychic importance of love, which speaks to the elevation of spiritual needs over physical and intellectual ones. May I venture to suggest, however, that Cochrane and Nancy may well get bored over time, all by themselves, even with their love to sustain them? Although with Cochrane being an inventor, and Nancy being part-whatever, they may indeed find all manner of projects. If they have children, would they share Nancy’s disability, or could they leave the planet, if their parents are clever enough to cobble together the means? Failing that, perhaps K, S, or M will manage to visit again someday. I would want to.

The praise I have for this episode does not extend as far as approval of the scenes concerning the entity’s takeover of Commissioner Hedford. As depicted, I can’t see this as being consensual. In fact, it resembles more closely concepts like murder, kidnapping, and rape. The blithe manner in which this is treated perhaps doesn’t speak well of the writer’s (producer Gene L. Coon) view of women. These scenes could have been fixed if the Commissioner had died first (although that would still be creepy!), or perhaps if Hedford had had a relationship with the entity first, she could have plausibly agreed voluntarily to the symbiotic joining (which would have made the resulting relationship with Cochrane even more clearly a three-way). By the way, I love her dress.

“Metamorphosis” is interesting, but isn’t half as interesting as the Wikipedia page on metamorphosis that I read while searching for this episode (http://en.wikipedia.org/wiki/Metamorphosis). Insects, amphibians, and fish that abruptly transform their body structures after birth or hatching through rapid cell growth and differentiation? How science fiction is that?!

4.5 out of 5 lovers, not zookeepers.

http://en.wikipedia.org/wiki/Metamorphosis_(Star_Trek:_The_Original_Series)


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8 responses to “2.9 — “Metamorphosis””

  1. Randi Cohen Avatar

    Agree with most of what Kevin said.  Especially the part about wishing Hedford had been consulted about the joining.  I also wish the sex roles had been reversed.  It would have made for a slightly more interesting story.

    I also agree they would probably have gotten bored.  Why not get a bunch of colonists for the planetoid?  Surely there must be some scientists interested in learning the history of this creature and there must be some special properties of the planet to study.

    I really like the forced choice between immortality and love, and between love/loyalty and freedom.  It is interesting to contemplate that without some source of meaning, life is simply an empty exercise.  If you had to choose between love and the entire rest of the universe, which would you pick?  No offense to my husband, but at least I’d want to take vacations to see the rest of humanity, personally.

    R

  2. Kevin Black Avatar

    Torie and Eugene have an interesting take on this episode here: http://www.theviewscreen.com/metamorphosis/

    I especially like Torie’s comments about the incongruous vacuity of Cochrane’s character.

  3. Randi Cohen Avatar

    Spock-blocking… love it!  And yes, thanks to Torie for putting her finger on something that bothered me but hadn’t quite gotten put into words… yes, Cochrane’s character and its development in the story is even more cartoonish and unbelievable than Hedford’s… at least she has a high fever to explain the irrational mood swings!

  4. Bill Testerman Avatar

    I also like “Metamorphosis” a lot, as it seems most people do. I’d say it’s easily one of the most sensitive and progressive episodes of the series. Yes, I think it does promote a tolerance for interracial romance and homosexuality. I’m rather surprised that NBC let ST air this AT ALL, since I saw a poll of Americans in 1968 where about 80% of them were against interracial romances. And here we’ve got an interspecies romance!! It’s not surprising to me that writer Gene L. Coon is also the one responsible for “The Devil in the Dark” from season 1, which was another script that promoted tolerance and sympathy for an alien species.

    “Star Trek: First Contact” is one of my favorite 3 ST movies, but I didn’t appreciate that the writers of that movie just ignored Zephram Cochran’s character traits in “Metamorphosis” and made up their own character. So what is he REALLY like?

    And don’t forget the great music score for “Metamorphosis” contributed by George Duning, which mirrored the emotions of the characters very well and has great melodies. This beautiful music is playing in my mind right now! ST was lucky to grab a composer of Duning’s stature, since he was already a well-known film composer with credits such as “Picnic,” “Bell, Book, and Candle,” and “The Devil at Four O’Clock.” Oddly, I don’t believe this score has ever been released on CD in any form!! Kudos also for everyone involved in the look of the episode, from the alien-looking planet surface to Cochran’s groovy house with it’s abstract art in every room.

    Regarding the debate about the Companion’s takeover of Hedford, I agree that it should have been explained better, but there is a suggestion beforehand that Hedford might welcome a melding with the Companion since Hedford regrets that her life has been without romance. And even if the Companion asked for her permission to meld, what choice did Hedford really have since she was near death? It bothers me more that Kirk and Spock attacked the Companion with the electrical device before they attempted to contact her directly. That should have been done in a reverse order.

    I agree with both of you that Cochran and Companion/Hedford would eventually get bored on that planetoid all alone. Cochran could at LEAST go on a few vacations.  

    I’ll also give “Metamorphosis” a big 4.5.

  5. R. Alex Reutter Avatar

    This is a very good, solid episode.  Hedford’s initial characterization on the shuttlecraft is a little ham-handed, but they have limited time to show the changes in her character.  Still, even allowing for the 60’s, when she goes into hysterics — yuck.  Then, while delirious from her illness, she give a great little speech about the nature of love — great job by the actress!  And again later when she’s the Hedfopanion.  I will take the generous stance that Hedford’s acceptance of merging with the Companion simply takes place offstage.

    I’m really annoyed by Kirk’s insistence on equating being stuck on the planetoid with death.  He states he’ll do anything to save the lives of the five people he’s responsible for, but really, it’s Hedron’s life he should be focusing on.  Instead of harping on the vague concept of “the Man” not continuing if he’s not free, he should be negotiating on the very clear and immediate concept that Hedron will die unless the Companion allows them to leave.  I know that they want to make a point about life and liberty, but this is bad writing.

    I really like the contrasting of Zefram’s parochialness with the cosmopolitan Starfleet officers.  All too often the crew falls into the trap of reflecting 60’s culture instead of 23rd century culture, so it’s wonderful to give them in a progressive light.

    There’s a beautiful visual touch when Zefram and the Hedfopanion go walking, she holds up her scarf and looks at Zefram through a veil that is reminiscent of how he looked when surrounded by the companion.  From the idea of taking that shot to the actress’s expression when the camera cuts back to a shot of her face — that’s genius at work.  

  6. R. Alex Reutter Avatar

    Oh, and re: the forced choice between immortality and love, I like this, too, but Luthien (and later Arwen) have that story pretty well covered.  🙂

  7. Kevin Black Avatar

    Ah, but this was before the first publication of The Silmarillion in 1973!

  8. R. Alex Reutter Avatar

    Their stories are related in the Lord of the Rings; the Silmarillion just gives us more of the details of Luthien’s.

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