2.1 — “Amok Time”

2.1 — “Amok Time”

Plot: Spock is behaving strangely. He demands to be taken to the planet Vulcan for shore leave, for a meeting with… his wife? There he must begin the Pon-Farr mating ritual, or die from the hormones raging in his blood. Kirk and McCoy are his attendants, during the original series’ only visit to Vulcan.

Thoughts: Man, it’s great to get back to Star Trek. Changes in the new season: the incidental music is heavier and more complex, the opening theme is modified, Ensign Chekhov has joined the bridge, there’s a collection of skulls in McCoy’s office(!), and Shatner’s hair is longer. Not to worry, however–the skirts are the same length.

Why is Kirk is climbing a ladder at the beginning of the teaser? Sure it’s visually interesting, but is the lift broken? Is this the equivalent of taking the stairs?

In second season we know these characters so well that a threat to Spock is just as dramatic a opening, or more dramatic, than a threat to the ship, the typical start to first season episodes.

Someone decided to revive Nurse Chapel’s crush on Spock, last heard of in 1.4 — “The Naked Time.” Chapel only appeared in three first season episodes. The crush makes her a surrogate for all the women (and men?) across America who had developed similar crushes in 1967. I like the scene where Spock shows compassion for her by asking for more of the soup. I’m not sure if it was logical, but it was kind.

Spock is damnably prideful, for a man with no emotion. The secret to the character, of course, is that he’s always the most passionate person on board, and Nimoy does a great job at letting this peek through. Is that a knife he’s holding behind his back when he asks the Captain to divert to Vulcan? What is he planning to do with it?

Sulu and Chekhov together are funny. Giving Sulu someone we recognize that he can talk to (and comment on the action with) is a great idea.

During the elevator scene, where Spock asks Kirk and McCoy to beam down to Vulcan with him, I teared up.

Kirk comes off as a bit douchey in this episode–cocky to the point of recklessness. First he changes the course of the ship repeatedly, then agrees to participate in the combat. Reckless or not, Shatner is very precise about showing us Kirk’s emotional reactions and his relationships with the other characters. He does not get enough credit for the high level of acting he brings to this show.

Overall, a blockbuster episode which changes the way we think about Vulcans, and about the Kirk, Spock & McCoy three-way relationship, forever. We have the first Vulcan salute and “Live long and prosper.” Spock’s moment of joy that escapes when he sees Kirk alive at the end is imprinted in my memory like Sulu brandishing his rapier–one of a select few indelible images from TOS that effortlessly survives the 25-30 year gap from when I last might have seen the episode. If “Amok Time” is to be the standard for Trek in its second season, bring it on.


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9 responses to “2.1 — “Amok Time””

  1. Kevin Black Avatar

    I forgot to add a rating! 5 out of 5 ahn woon Vulcan flails.

  2. R. Alex Reutter Avatar

    It was absolutely essential to this episode that T’Pring have a logical reason for her actions, and they deliver.  It’s an awful chain of logic (in the sense that it leads to awful actions, not that the reasoning is flawed), but it holds together within the limits of a Vulcan culture that has inexplicably clung to this custom.

    Shatner is indeed very good here.

  3. R. Alex Reutter Avatar

    My most vivid memory of the fight music is when MST3K did “Last of the Wild Horses”.  The host segments recall “Mirror, Mirror”, and when Mirror Crow attacks Mirror Mike, he shouts “Die! Die! Die! Die! Die!” to the tune of this fight music.

  4. Bill Testerman Avatar

    Yeah, “Amok Time” is one of the best! As usual, Leonard Nimoy does a fine job, as does Shatner. With regard to Kevin pointing out that Nurse Chapel only appeared 3 times in the first season, it has always been odd to me that Majel Barrett didn’t have a more prominent part in the show since she and Gene Roddenberry had something going at the time, and later they married. Of course, in the first pilot she was second in command as “Number One,” until NBC asked that she be removed entirely. So Roddenberry put a blonde wig on her, changed her to Nurse Chapel and listed a different name for her in the credits too, and apparently NBC never noticed. So after the pilot she wasn’t supposed to be on the show at all.

    And I concur with Michael that the music in “Amok Time” by Gerald Fried is great! The lonely bass guitar music he wrote for this episode became Spock’s theme for the rest of the series. In fact, I love the music overall written for ST:TOS, and I’ve bought several CDs of it that were recorded in the 1980s with the Royal Philharmonic Orchestra and usually conducted by Fred Steiner, who was one of the main TOS composers. Wow, those digital recordings really sound awesome! Strangely, though, they don’t seem to have recorded any of the score from “Amok Time,” though it’s one of the best.

    The long-distance shots shown of the main locale on Vulcan, including the bridge Spock, Kirk, and McCoy crossed to get there, were added when these episodes were remastered about 6 years ago. Paramount just changed a slight bit other than special effects, but I think they did so very judiciously. They could have gone overboard and changed LOTS of stuff, but I applaud them for not doing that.

    I give “Amok Time” a big 5 out of 5.

  5. Randi Cohen Avatar

    Love love love.  No real comments that have not already been said.  Just a great episode.  Love Nimoy literally rolling his eyes back in his head, and the conviction with which he delivers lines that would be corny in the hands of a lesser actor.  It makes me wonder if it is just that this part is perfectly suited for him or if he was a victim of type-casting and could have done other roles this well also… but I digress.  5 out of 5 T’stars.  (One thing… that Stonn guy… I think T’Pring could have done much better, don’t you?)

  6. Bill Testerman Avatar

    I think Nimoy just makes a great alien. He’s great at seeming different from everybody else.

  7. Kevin Black Avatar

    I always thought it was weird to see him pop up on a show like “Murder She Wrote” or a Columbo TV movie, because he just isn’t an everyman type. One heck of an actor, though. I saw an interview somewhere the other day where someone suggested that the reason that Shatner and Nimoy were so interesting together on screen was because they were both really good, both really ambitious, but Shatner really wanted to be a star while Nimoy really wanted to be an actor.

  8. Randi Cohen Avatar

    Yes, that makes so much sense!

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