1.19 — “Tomorrow is Yesterday”

1.19 — “Tomorrow is Yesterday”

I know I was a bit negative about “Arena” and “The Galileo Seven,” but now I believe we’ve hit a pocket of really fun episodes (knock wood) that, if you’re a person who likes original Star Trek, just have to make you smile. Here is Star Trek’s first time travel episode, excluding the short jaunt at the end of “The Naked Time” (which was originally envisioned as the lead-in to this story), and its first visit to planet Earth, not counting the mysterious Earth copy planet in “Miri.” Wow, I’ve watched 20 shows and now I’m tossing around episode titles like I have a Ph.D. in advanced nerdery.

I love that the teaser is told solely from the point of view of the 1960s USAF officers, with no cast members appearing. The use of stock footage makes it look like an entirely different show. WHAT is the Enterprise doing in the 1960s? It’s a mystery! When the first act starts you see the crew picking themselves up off the floor, and they let the audience catch up to what happened, cutting out all the boring parts. This is great storytelling. I also love the camera work and the performances when Capt. Christopher is led onto the bridge. By staying grounded in character, “Tomorrow is Yesterday” manages to be much funnier than “Shore Leave,” the supposed comedy episode.

Interestingly, Kirk references the gravity well of a “black star,” because, according to Memory Alpha, the term “black hole” would not be coined by physicist John Archibald Wheeler until later in 1967. Kirk also correctly pinpoints the date of the first moon landing as occurring in  “the late 1960s,” although this had not yet occurred on July 20, 1969 (a Wednesday, as stated in the script), and NASA’s public estimates at the time were well into the 1970s.

I thought it strange that the crew dldn’t take more precautions to isolate Capt. Christopher and employ greater security, but I guess they hadn’t run any drills on this subject. Although Spock is the first to point out how foolish this is, in other ways, he seems too pessimistic. He says they must prevent Christopher from changing what “must be”–um, who says? Why assume that the future they remember is the best possible future? Especially since, realistically, the Enterprise has no chance of returning. It does return, of course–using some hocus pocus pseudo-scientific cheating–but this episode has a “What if?” quality and I like to think of it as one of many alternate timelines in the multiverse. We do happen to live in a present in which the course of scientific development was forever changed by our encounters with the Enterprise (on television, not real life), and as far as I know this hasn’t done any harm, no matter how many drabber alternate universes died off when NBC decided to give Gene Roddenberry a second shot at filming a pilot.

I’m navel gazing. The episode descends swiftly from high-concept sci fi (SCOTTY: We’ve got no place to go. CHRISTOPHER: You’re just as much a prisoner in time as I am!) into silliness (the ship’s new computer voice, Kirk and Sulu’s infiltrations of the air force base), but I think this episode is a hoot and I love it.

We learn there are 12 starships. United Earth Planetary Probe? If they only had an operations section worth a damn, they wouldn’t have to beam down the Captain and the Navigator to steal the plans. More screen time for Sulu is fine with me, however. 

The humor of Spock’s character really comes into bloom with his “I am” response when Bones criticizes him for not working on the warp calculations. Future script editor D.C. (Dorothy) Fontana is the writer (her second script after “Charlie X”), and she has a great feel for character.

I did wonder why the visitors to the Enterprise had their memories erased when they went back in time, yet the Enterprise crew can remember everything back in the 23rd century. Beaming someone on top of himself doesn’t seems like a such a bright idea to me, but I guess they had to reset everything to normal or discontinue the show.

The remastered effects shots of the Enterprise circling the Earth and slingshotting the Sun are gorgeous.

http://en.wikipedia.org/wiki/Tomorrow_Is_Yesterday


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14 responses to “1.19 — “Tomorrow is Yesterday””

  1. Pearl Young Avatar

    Tomorrow is Yesterday is today.

    :)

  2. Melissa Simms Avatar

    This is a fun episode.  They are kind of cavalier about trooping CJC all over the ship and then going, “Oh heck.  Now you know too much and you can’t go back.”  I think it would have been kind of fun if they’d kept CJC for a while, let him be a future guy, then sent him back to his own time.  It reminds me of Shogun, where Blackthorne has been with the Japanese for a bit and gotten used to bathing on a regular basis.  Then he’s put back with his own crew for a little while and he notices than they’re barely civilized and they stink. 

    I like the idea that the future is not perfect and stuff breaks down.  Is DC Fontana still with us?  I’ll bet she enjoyed Firefly.

  3. Kevin Black Avatar

    She is… 74 years old now. Gene Rodenberry liked his female collaborators young.

    http://en.wikipedia.org/wiki/DC_Fontana

    http://en.memory-alpha.org/wiki/D.C._Fontana

  4. R. Alex Reutter Avatar

    We have a serious problem from the opening moments on the Enterprise, where Kirk’s orders should be to immediately beam the pilot down to earth, somewhere among the wreckage of his plane.  This is the obvious immediate decision to make, and since he doesn’t give that order, we need a good reason other than, “the writers wanted Kirk to interact with a 20th century guy and have this dilemma of what to do with him.”  Thus, the plotting feels half-hearted.

    Star Trek IV owes a lot to this episode, right down to the humor, but the film so vastly improves on nearly every aspect of this type of story that I found it difficult to really enjoy the episode as much as others have.  Good title, though.  This really needed to be the second part of a two-part episode with “The Naked Time” as the first, and just as they think they’re out of danger, bam! they’re in the 20th century.  

  5. Kevin Black Avatar

    Well.. they’re flummoxed to be back in time, and to meet CJC–they’re almost as curious about him as vice versa. It all happened very fast. Beaming him down to the wreck would leave both strong evidence of their interference and CJC as a witness. You’re right of course, but I found their choices more imprudent than implausible.

  6. R. Alex Reutter Avatar

    Our immediate thought, while events were transpiring onscreen, was that beaming him down to the wreck would suggest that CJC managed to eject safely, and that he’s confused by what he saw, until the footage he captured could be processed.  The crew on the Enterprise could be monitoring the situation from afar, and realize they have to destroy the film before it’s processed.  This leads to the dilemma of finding where the film is, and perhaps deciding that the course of least damage to the future is to approach CJC.  This gives the writers what they want (the culture clash between Kirk and CJC) in a way that keeps Kirk a smooth operator under pressure. 

  7. Kevin Black Avatar

    I’m not sure that in those days they could have beamed him from the cockpit to the ground without taking him onboard ship first–they could knock him out as soon as feasible and then beam him to the wreckage, I s’pose.

  8. R. Alex Reutter Avatar

    To clarify, our immediate thought was to beam him onboard (we also didn’t think they could go direct from cockpit to ground), then to the ground.  Newcomers are so disoriented upon arrival that there’s plenty of time to do it without needing to knock him out.

  9. Randi Cohen Avatar

    OK, so a few comments on this one:

    1) Shatner is acting like he’s in a sitcom again, while Nimoy and Kelley are playing it serious.  Although I do think Shatner is quite a good actor at times, I wish he had been a little more “straight” because it would have ultimately been funnier.  

    2) With the woman computer, how about if she insisted on making Kirk’s uniforms more fashionable or spiced up the cooking or did something more interesting than calling him “dear”?  What if she actually performed some helpful action, thus justifying the mysterious aliens’ decision to feminize her?  Just fantasizing here.

    3) The chicken soup thing was funny, if only because you can just imagine the writer enjoying herself.  I did think the whole “just ignore the loaded pistol in the hands of the surprised captain we just beamed up” thing was a bit too silly, especially an episode or two after McCoy just got killed by a lance.  Have respect for the primitive weapons, guys.

    4) I love that Nimoy says “err-OR” as if he’s never had to use the term before.  Brilliant detail there.  That being said, it is obviously a ridiculous oversimplification to conclude because somebody is not mentioned in history books that removing them from the time stream will carry no consequences.  I won’t even discuss the mysterious memory-wiping and same-posing that goes on during the final beam-downs of the 20th century folks.  Oh, and if we can fabricate chicken soup, why can we not fabricate some 20th century uniforms for the crew?

    5) Geez, tell a guy he’s going to be a father and all of a sudden he’s on your side!  We should definitely not reveal that interrogation technique to the Russians, or the Iraqis, or whomever it is we are fighting these days.

    6) That guy in the red engineering jumpsuit behind Scotty in one scene looks like someone cut his pants off at the knee.  Where’s that woman ship’s computer when we need her?

    7) That is the most ineffective torture scene I have ever witnessed.  Threatening Kirk with legal charges?  Really?  I think even the local cops can manage to sound more threatening than that.

    8) Love the Captain Kirk door frame swing and kick maneuver.  That whole fight scene was straight out of 1960’s Bat Man.  I kept expecting “Pow” and “Crash” to appear in colorful jaggedy circles on the screen.

    Overall I did like this episode because everyone was so clearly having fun and it’s a neat theme.  It was uncommonly silly however, and did not take on any very interesting philosophical themes.  My favorites so far remain the one with good Kirk-evil Kirk and “Balance of Terror”.  “Menagerie” was great too.  Let’s have a vote at the end for favorite episodes.

  10. Kevin Black Avatar

    It’s easy to forget that in the 20th century we had a strong cultural consensus that torture was inappropriate, even for military, not civilian, detainees. 🙂

    I have to disagree a bit with your summation, because I think the premise raised a lot of interesting questions, right off the bat, including the kind of questions that underlie the prime directive (which will receive its first mention in Thursday’s episode!). Should they save CJC from the plane? Having done so, return him to Earth, or retrain him? How should they treat him, as a guest or prisoner? How should they weigh his opinion? What should the Enterprise do, if it can’t return to its time? Make first contact, try to assimilate in disguise, or fly into space with inadequate provisions and no supporting infrastructure of starbases? These are all tough questions that force the crew, under pressure, to think hard about their values and weigh them against the importance of protecting Earth’s past from interference, and think about why that should be important in the first place. The characters reveal themselves in how they respond to these decisions.

    I’m mildly disappointed that after raising these questions, the episode retreated from them fairly suddenly after the first or second act break and descended into situational comedy and convenient explanations. This was done with such deft good humor, however, that I’m inclined to forgive it, and remember how rare it is to be served with such interesting stuff in the first place.

  11. Michael Hanscom Avatar

    I am so far behind! Yeesh. All comments were typed while watching the episode, before reading any of the commentary posted here.

    Our first real time travel episode (not counting the “rewind” at the end of The Naked Time).

    Why is the only radar guy to see this just one guy at a single station in a small room with one other guy at a desk? Seems pretty low-key for the Air Force.

    Fun to see the Enterprise cruising through the clouds.

    As gorgeous as these new remastered transfers are, there are definitely times when they really show the limitations of the sets of the time. The large “displays” above the bridge workstations, for example, are quite obviously simply printed images somewhat poorly mounted behind cut-outs; wrinkles in the paper can be seen quite clearly.

    And the chase begins — a late-60s jet vs. the Enterprise. Gee, who’s gonna win this confrontation?

    So just how is it that beaming a seated figure out of an airplane cockpit manages to have them materialize standing up?

    Overall, Cpt. Christopher does a remarkable job of absorbing everything he’s seeing.

    Kirk: “That flight suit must be…uncomfortable.” Did he just come on to Cpt. Christopher?

    Oh, wait…is this when they do the thing with the computer going all gooey? Yup, it is. Oh, dear. Well, I guess this is one of their first real humor episodes.

    So a planet dominated by women gave the Enterprise’s computer a personality that is all gooey-gushy on the captain? That’s…unfortunate. But very 60s.

    Ah, the problems of time travel. So many possibilities, so rarely handled well.

    Nice, Spock: “You’re not important, but your son will be.” Kind of a back-handed compliment, there.

    And, after a botched bit of light espionage, the Enterprise gets its second problematic visitor…greeted by Spock, of course. Who else?

    I don’t remember what they were like with the original effects, but on these remastered episodes, the shots of the Enterprise in orbit around Earth are just beautiful.

    Ooh, it’s the patented Kirk sideways flying leap! No better way to take out three combatants at once! Doesn’t keep you from getting caught, though.

    Spock’s “poor photography” comment is perfect. As is Kirk’s wince when the Colonel tosses the phaser to the soldier.

    Aside from the humor aspect, why in the world would the transporter room have food replicators?

    I’ve never quite gotten the “beaming them into themselves and removing their memories” trick that they use at the end, but…well, sure, whatever, I’ll go with it.

    Yeah, overall, I like this one. Humor, time travel, the Enterprise at Earth. Not bad!

  12. Kevin Black Avatar

    One thing that struck me about this episode when I watched it was what a love letter it is to the armed services. Capt. Christopher, in his own way, is a paragon just like Kirk. He’s a gentleman, a patriot, intelligent, pragmatic, in love with his family and apple pie (the apple pie doesn’t appear in the episode). Then they have some fun with minor characters.

    This isn’t jingoistic (like STID), but reflects the series’ idealism. Star Trek was made by people who served in World War II. Roddenberry piloted a plane during the war that crashed during takeoff, killing several members of the flight crew. None of these people were unaware of the realities of human nature. They wanted to show us their vision of human beings, and institutions like the military, functioning at their best, through the lens of the 1960s, which retro-paternalistic sexism notwithstanding was a good deal more optimistic than the lens of today.

    Michael Hanscom, if you read the chapter about this episode in These Are the Voyages it addresses a couple of the things you noticed, like the condition of the bridge decals and the tiny radar room standing in for the USAF.

  13. Michael Hanscom Avatar

    Hah — awesome. I’ll get there (eventually)…for some reason, reading four books at once means I don’t get through any of them particularly quickly. 🙂

  14. Kevin Black Avatar

    Also– Cpt. John Christopher… Jesus Christ.. phonetic coincidence? NOT. Discuss.

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