5.5 — “Disaster”

5.5 — “Disaster”

Plot: Disaster!

Collision with a pair of quantum filaments leaves the ship disabled and the crew separated without communication, or knowledge who else on the ship may be alive. Various technobabbly things threaten certain death by technobabble. Keiko O’Brien, trapped with Worf in Ten Forward, goes into labor.

Thoughts: Who knew the Enterprise was such a rattletrap?  think Jeri Taylor put it well in this quote from Memory Alpha: “[This episode] was pitched by a couple of outside writers and it’s something we had never done before. I believe in variety. I think that it freshens a series. If you see the same story week after week it becomes deadly dull…I’m very much for breaking formula, changing something and doing a different kind of story. It was let’s do something different – stop them dead in space and give them lots of problems. I thought some fans thumbed their nose at it, but in a mix of varied stories it was a good infusion of life.”

Michael Piller said, “I think “Disaster” was a fun show, it achieved everything that we set out to do. Ron wrote a nice script, I loved the stuff with Data’s head disembodied. It had a real pace and rhythm. It didn’t reach the upper echelon of episodes for me because it didn’t really have a mystery or science fiction base to it.” 

They’re both basically right, but I would also ding it for the awful pink jumpsuit they dressed the girl in, and Deanna’s doe-eyed and dumbfounded look at being confronted with command, having to make decisions, and science. I also don’t know why Keiko and O’Brien have to be portrayed as the most heteronormative couple in the galaxy, but that may just be a pet peeve.

Certain aspects of the birth scene seem unrealistic.

My favorite part was “That is not the correct port, sir.”

I wanted a casualty count at the end.

In the turbolift, they should have sung “Row, Row, Row Your Boat.” Canon already establishes that this song survives into the future. For some reason, I am emotionally affected by scenes of people saying thank you (like, more than “I love you,” or “Goodbye”). I teared up a little at the plaque scene.

3 of 5 emergency decompression drills.

http://memory-alpha.wikia.com/wiki/Disaster


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4 responses to “5.5 — “Disaster””

  1. Randi Cohen Avatar

    You may now give birth!!!!

    I love seeing Picard and Worf get uncomfortable.  That was fun.  Also radishes are just inherently funny.

    Of course the birth scene was unrealistic, but that’s to be expected.  Better than the one with Troi anyhow.

    Speaking of Troi, I think it’s fair to assume she genuinely would be flummoxed by command, and smart of her to take advice from others.  I have no problem with this.  In the end, she does a decent job, with decisiveness but humility, which I appreciate (i.e. at least nobody has to save her from herself).  Also Ro is just awesomely annoyed throughout.  I do love that two women are talking to each other not about a man also.

    Plus Data’s disembodied head, Krusher and Geordi getting blown about (not sure if one could actually survive such a drastic change in pressure without getting some form of the bends, but why trouble oneself with science).  And did I mention the radishes?

    Overall, I was entertained, despite the admittedly horrific pink jumpsuit.

  2. Kevin Black Avatar

    They did ace Bechdel on this one, didn’t they? Ensign Ro is now the grounded, slightly sarcastic realist on the ship.

  3. Randi Cohen Avatar

    Yes, that’s a role that needs to be played!  Like broth in a soup.  Lends substance to the whole thing.

  4. sunny jim Avatar

    I think the Geordi/Beverly thread is the weakest one, and I agree that decompression would have likely killed them.

    “You may now give birth.” was also a favorite of mine.

    And why does the one kid know a song in French?

    I love Randi’s comments.

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