1.4 – “Code of Honor”

1.4 – “Code of Honor”

Plot: The Enterprise needs a crucial vaccine from a civilization on an unknown planet, Ligon II. Its culturally primitive keepers, led by Lutan, kidnap Tasha Yar. For reasons understood by no one, she must fight a native woman to the death, in a cage match staged on what looks like a reject set from Xanadu

Thoughts: This episode presents an imponderable question: is it more sexist, racist, or stupid? 

The  cast’s opinions of “Code of Honor” are recorded at IMDB ( http://www.imdb.com/title/tt0708689/trivia?ref_=tt_trv_trv). Brent Spiner: “It was just a racist episode…. We did our worst early on and it never got quite that bad again.” Michael Dorn: “The worst episode of Star Trek ever filmed.” Levar Burton: “Stinks… without question.” Jonathan Frakes: “Racist piece of shit.”

Wil Wheaton, in Memories of the Future, Volume 1, correctly diagnoses the episode’s central problem as “portraying an offensive, 1940s pulp stereotype in 1987.” He later turns into an apologist, writing that “if the Ligonians hadn’t  been arbitrarily [cast as being] entirely African American, it wouldn’t have even been an issue.” Really? Would white actors still have been directed to play all those racist stereotypes? Sorry, Wil, I disagree.

What made me angry about this episode when I was 14 was not racism or sexism, but that the writers totally misunderstand the Prime Directive. Really? The writer’s room doesn’t get this? That’s a problem. The Prime Directive prohibits interference in primitive cultures. If the Ligonians qualify, Starfleet revealing itself at all, let alone establishing trade relations, would be off the table.

The dialogue implies that only taking violent action would violate the Prime Directive (never mind Picard’s ill-conceived photon torpedo bombardment over the surface, a bluff that Lutan instantly calls, leaving Picard in a worse position). Phasering the population to death might be a war crime, but it would not be a Prime Directive violation.

The Ligons have transporter technology anyway, and surface-to-spaceship video phones, so they plainly aren’t primitive. The true violation of the Prime Directive would be to deliver the Ligonians’ vaccine to Styris IV, saving the millions of beings there from dying of the plague (assuming they aren’t already a space-faring culture).

There are other things I don’t get. If Lutan is so hard up for money, why doesn’t he just sell the precious, rare, and irreplaceable vaccine that he controls, and exploit the first contact opportunities with the Federation? That seems like a more reliable way to gain wealth and power than plotting to kill his wife, er, first concubine.

One final thing. I’m afraid I feel a rant coming on. This is, easily, the most sexist episode in the history of Star Trek so far, despite the fact that no one ever says a line like “Her life could have been as rich as any woman’s” (TOS 3.24 — “Turnabout Intruder”). Yes, when Lutan questions Yar’s right as a woman to be Chief of Security, the writers have the characters harumph self-consciously about the lack of political correctness. So that makes things all right, huh?

No! This goes down in history as the episode where Picard barters for possession of Yar with Lutan for political gain. All the hand wringing about “millions dying” of the plague just serves to set up the concept that Yar’s safety and chastity is for sale; it’s just a matter of establishing the price. Picard makes sure to claim the prerogative of deciding her fate for himself, as her patriarch commanding officer.

Worse, at different times, Picard, Data, and Troi all ask Yar, who has been abducted, what she did to bring Lutan’s attentions on herself. The writers then force Denise Crosby to say that Lutan’s attentions (kidnap with intent to enslave and rape) make her “feel good” because he wants her. All this noise serves the basic sexploitation premise of forcing two attractive women to fight to the death over the dominant male they both desire.

While outmoded stereotypes certainly crept into the Original Series from time to time, it was never so derogatory or diminishing. Compare TOS’s gladiator episode, “The Gamesters of Triskelion” (no paragon, it’s the episode where Uhura suffers a sexual assault)–that episode is far less misogynist, and more receptive to the idea of women having agency and power, than this.

End of rant. I still think TNG has promise, but I want new writers. I’m afraid this episode gets a Grade: Fail.

http://en.memory-alpha.org/wiki/Code_of_Honor


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3 responses to “1.4 – “Code of Honor””

  1. Kevin Black Avatar

    I also like the things you like about it. That is a good observation–they take an offensive stereotype and make it “alien.” I actually think the Original Series was pretty good about this. If they ever dealt with race issues, they were pretty careful to make it really alien and not take sides, e.g., “Let This Be Your Last Battlefield” and “The Apple.” The closest might have been using real Native Americans in “The Paraside Syndrome”–but that was pretty respectful.

  2. sunny jim Avatar

    I think one of the problems with this episode is that Yar just isn’t a very believable character at this point.  She has this history (terrible childhood trauma) that’s been alluded to, but not explored; Crosby plays Yar in a very soft, feminine way, at odds with what we’re supposed to believe about her character (that she’s an emotionally scarred bad-ass – and by the way – don’t they have therapy in the future?).  So much of the action revolves around her, and yet she’s a very weak pivot point. 

    Picard’s character is also, I think, still too un-formed at this time.  He comes off as weak and indecisive. 

    And then there’s the horrible costumes.  If they’re primitive, why are the fabrics all so shiny?  (The color choices are particularly terrible, too.)  What’s with the horrible Rick James hair?  And frankly, if bestowing a necklace was a symbol of marriage and came with all my land and money, I’d choose something nicer than a shiny ribbon attached with Velcro at the back. 

    They also seem to be hearkening back to the original series’ style of budget-alien-planet:  Put some rocks or plants or something in front of a scrim, and shoot some colored lights onto the scrim:  presto!  You’re clearly not in Kansas anymore!

    My final words:  Poorly thought out, anti-feminist AND racist writing, actors still figuring out their characters, laziness and some just plain bad choices.  Thank god it gets better.

  3. Randi Cohen Avatar

    Agree with everyone.  Jim, especially agree with your take on Picard and Yar.  Augh!  

    I am just imagining how horrified the actors must have been to have to film this episode.

    The one thing I liked was the battle scene – that was genuinely suspenseful.

    One additional point to pick on: what’s with the quick character change of wife #1?  Wasn’t she violently in love with this guy this morning, yet now she is breaking up with him?  I would expect more emotion from her at being betrayed if she truly loved him in the first place.

    The other thing I actually liked is the comment new husband #1 makes at the end about how they are a civilized people.  It is true that civilization is in the eye of the beholder, and demoting the guy to husband #2 is actually a pretty mild punishment considering.

    It doesn’t make up for the horribleness of the rest of the ep as detailed above, of course.  I really have nothing to add except: yuck!!!!  ptui!!!!!  

    Oh, and also, I am just imagining Troi quizzing Kirk on his attraction to pretty much every female character in Star Trek “to make sure you don’t lose your objectivity”.  Please.  

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