1.7 — “What Are Little Girls Made Of?”

1.7 — “What Are Little Girls Made Of?”

This episode is really cool–and the source of our purple “stalagmite” icon. The first thing you have to talk about is the design. The bold use of geometric shapes and light, and the hulking monster Ruk, remind me of the expressionist strain of Universal Horror movies from the 1920s and 30s, in films like The Cabinet of Dr. Caligari and Son of Frankenstein.  How appropriate, as this is  our first “mad scientist” Star Trek episode. I really love the way the show changes from week to week, with a format flexible enough to do all kinds of stories, and the ambition to make it happen stylishly. I had some fears based on the picture y’all made me use to represent us, but I have to say this episode looks great. I love the costume choices (I understand Andrea’s was a favorite at conventions), the purple lighting and makeup, the adventurous camera angles, and the wild centrifuge android-making contraption. Bonus points for including a bottomless pit and the unusual verticality of sets for a television show.  They even did great work on the remastered special effects. Everything in this episode is beautiful.

I was right!  Ted Cassidy, who played Ruk, also played Lurch on The Addams Family (1964-1966). IMDB quotes Ted, who died in 1979, as saying that he’s not proud of any of his screen roles. “If I’m up for a part . . . I really worry what I’m going to be because they always make fellows like me the big dumb galoot, the oaf who doesn’t know anything, who trips over himself. We are apparently idiots, all big men. . . . You end up holding people, while the boss hits them in the face . . .  Well, that kind of thing doesn’t appeal to me at all.” Who will cry for the big men? It may be stunt casting, but I love how huge his hand looks when it reaches out to throttle the redshirt.

Delightfully, this is a Nurse Chapel-centered episode. My delight turned to depression reading this nugget of trivia from IMDB: “The only episode to prominently feature Nurse Christine Chapel.” Nevertheless, we learn much about her, her scientific background, and the basis of her choice to serve on the Enterprise, which is different at the end of the episode than it is in the beginning.  The acting of both Majel Barrett and Shatner in the teaser is masterful, adding volumes to the scripted dialogue. 

So, did Korby have sex with an android? (Chapel asks, “Did you?”) The writers imply more darkness than is shown. “My legs were gone!”  “I am now programmed to please you also.” I think the reference to “raw materials” in the colony world Korby hopes to infiltrate refers to the humans, not minerals and ores. And it doesn’t get much darker than referencing the Old Ones!  

This episode has only grown on me since first viewing. The life of an android is tragedy. Andrea and Ruk must die because they are too human; Korby, because he is no longer human enough. Which he doesn’t know–how could he? We have the first redshirt deaths of the series. Two of them!  And we learn Kirk has a brother. Good one.

http://en.wikipedia.org/wiki/What_Are_Little_Girls_Made_Of


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21 responses to “1.7 — “What Are Little Girls Made Of?””

  1. Randi Cohen Avatar

    -What is up with the random spectators on the bridge in the first scene?

    -“Terribly unfortunate.”  = smirkiest way to telegraph that you’re a villain.

    -Why would Kirk not give instructions himself to send a landing party down, and instead give that job to the lone crewman on watch?

    -Did they not discover stun settings on phasers yet?

    -So, Christine met her fiance when she took his class?  Couldn’t they have met in some less annoying way?

    -If they need a model for the androids to be created then how did they make Andrea?  Also, how does that outfit possibly work on a human female?  Perhaps there really are androids being created… now I am scaring myself.

    -Nice nude scene for Kirk followed up by phallic symbol swordplay.  That being said, I find Rok genuinely scary in this battle scene.  I think Ted Cassidy did an awesome job.

    -When Kirk is walking down the ship’s hallway, there is a crewman lurking in a side corridor who is clearly waiting for his cue to enter the main hallway behind the Captain.  They need to make those fake side corridors a little longer.

    -It’s really too bad about the double suicide.  It seems like android Corby and Andrea might potentially be happy together.  If I were in Cor by’s place I think I might rather live even if it was kind of a weird half-existence.  How about you guys?

    -I love the closing repartee between Kirk and Spock, and Nimoy’s almost-grin.  Probably my favorite scene.

    Overall I enjoyed this episode.  Point of it being, I guess, that transferring a soul is a tricky business, and insuring that a being doesn’t have one is tricky as well!  I am not sure why compassion would not transfer well when other emotions seem just fine to exist in androids (anger, passion, shame).  Perhaps empathy is a step beyond the current level of android emotional development?  So that would mean (sorry to bring it back to toddlers again, but…) they would be the emotional equivalent of 2 year olds, with all the basic emotional equipment but none of the ability to imagine another person’s reality.  

    Lastly, I love it when Kirk plays mind games with androids.  He does it so well in so many incarnations throughout the series.  

  2. Kevin Black Avatar

    Maybe the stun setting specifically burns small holes in the androids while the other settings cause full disintegration? Were these the first phaser disintegrations? That’s something else that freaked me out as a kid (like the transporters)–I just couldn’t wrap my mind around that.

  3. Pearl Young Avatar

    “The picture y’all made me use”

    Ahem. That is not the way I remember things going down, sir. :p You have to admit that scene is totally slasherific.

  4. Katharine Bond Avatar

    I’m trying to put my finger on why I have so far not enjoyed the show. Because while I’m watching the episodes, I usually can find no redeeming value. This episode it was Andrea and Chapel. For Chapel, I was disappointed that her character is basically following her man with, I’ll admit, some differences than the usual trope. And, Andrea’s costume was just insulting. Plus, he created a sexbot?

    And so, I get so caught up in the above that I have a hard time enjoying the show or taking the episode on face value.

  5. Kevin Black Avatar

    Chapel isn’t following her man, she’s rescuing her fiancee after the presumed demise of his research party. The opening scene makes it clear that the Enterprise doesn’t have any other mission in the area; it is there because Chapel worked hard, and gave up a career in bio research, to place herself in the position to make this happen, and made it happen. Maybe you are predisposed to see things in a certain way?

    Yes, Andrea’s outfit is exploitative, but I think they have gotten Kirk out of his shirt in over half of the episodes so far, and in this one he lost his pants too. Is that insulting? (I don’t know that I would call the red tights/no shirt outfit in “Charlie X” insulting, but it wasn’t flattering, which is worse.)

  6. Randi Cohen Avatar

    Agree on both kev’s points. And sexbot is pretty awful as is chapel slipping in caverns and clinging to Kirk for support. I don’t think you would have seen either of these occur with genders swapped, i.e. a male sexbot… But it would be interesting and fun to see a remade episode with all the genders flipped!

  7. Pearl Young Avatar

    Wow. I totally approve of a gender flipped episode for this story!

    Katharine: While I understand the negative reaction you are having, I

    do think Kevin makes good points. Remind me: is this the first time

    you’re seeing some of these? Have you been able to watch other old SF

    and enjoy it, or do you get the same reactions?

  8. Melissa Simms Avatar

    This is one of my favorite episodes. Classic Trek themes: robots with varying degrees of self-awareness and volition. The relative merits of logic, emotion, intuition, love.

    –Ruk was genuinely alarming then and now.

    –I found Corby a very sympathetic character. His relationship with Chapel seems genuine. He believes in what he’s doing, and he wants to make the world a better place. He’s not a megalomaniac like a lot of later world changers.

  9. Kevin Black Avatar

    I think it’s touching the way Korby knows that any group of people will reject his ideas, but he is CONVINCED that Kirk will go along if he just has a chance to explain it to him. Korby can’t believe that his own mind/soul has been changed by the process of transference, and he desperately needs Kirk to affirm his thinking. He minimizes Andrea’s humanity and exaggerates his own. Unbeknownst to him, he has essentially the same emotional makeup as Andrea, Brown, and Ruk–exaggerated self-regard, stunted capacity for empathy. 

    Over at Torie & Eugene’s site they observe that this episode plants the seeds for many future Star Trek episodes, and perhaps the whole character of Data in TNG.

  10. Kevin Black Avatar

    Piece of trivia—Robert Bloch, who wrote the teleplay for this episode, wrote the novel Psycho (1959) which was the basis for the movie in 1960. He’s definitely someone who’s thought a bit about the darker side of human nature….

  11. Michael Hanscom Avatar

    I don’t have much of anything to add by now, partly because of what’s already been discussed, and I think partly because I like this one, and didn’t come up with much fun snark or questions while I was watching it last weekend — I just enjoyed watching the episode again.

    Though I will say that Ruk’s rumbling about the “Old Ones” and crazed “THAT WAS THE MISSING EQUATION!” bit are ripe for pulling into audio samples.

  12. Kevin Black Avatar

    Bloch apparently was also fascinated with Lovecraft and they had a correspondence. http://www.imdb.com/name/nm0088645/bio

  13. Kevin Black Avatar

    I was impressed by the way Ruk throws Kirk around.  Some of those scenes might have involved stunt doubles, but I found myself wondering if there was any wire work happening.

  14. R. Alex Reutter Avatar

    Given the episode title, I thought there would be hot and cold running fembots; instead, the android facility is a sausage party with 4 himbots to 1 Andrea, and the episode title is simply a sleazy marketing decision.  This is a plus, I guess?

    The Kirk/Andrea scene gives me hives; his attempt at “seduction” carries no emotional weight and is simply grabby.  Worse, it reinforces the neanderthal belief that this is how “real” women want to be treated.

    In addition to Uhura sharing the moment with Chapel, there is an earlier moment on the bridge with an extra.  It makes one wonder about a secret women’s support network that the menfolk of the Enterprise are totally oblivious to.

    Chapel wears that ridiculous skirt to a -120 degree planet.  WTF?!

    “Did you?” asks Chapel.  “Christine, I swear it was just sex with an android.  A strong, flexible android who likes it when I… ah, that is, completely meaningless!”

    There’s a line about how they’ll develop a “mechanistic” culture, carrying the implication that living in the caves will not only limit their physical freedom, but change their psychology.  It’s a fascinating premise, but totally undeveloped.

    First two redshirts?  Other crewmen have died, but not in the classic red uniforms.

  15. Kevin Black Avatar

    I thought the line about a more mechanistic culture referred to the fact that they started transferring their consciousness to androids and programming away their “weaknesses.”  Although that’s confusing, because they created Ruk as a servant, right?

    Good point about the environmental unsuitability of the uniform!

  16. R. Alex Reutter Avatar

    re: “Is Chapel ‘following her man’? 

    On the one hand, it’s great to give Chapel a backstory, and kudos for making her a high-powered researcher who gave up that life in order to rescue her love.  On the other hand, the question I always have to ask in these situations is, “would they have ever considered switching the gender roles on Chapel and Korby?”   Could the 60’s have handled a Star Trek in which “The Man Trap” features Chapel running into her old flame turned into a salt beast, and “What Little Girls Are Made Of” featuring McCoy’s old love having turned herself into an android?  Probably not.

    At the root, these are very similar premises, but everything that’s layered on top to put the women in inferior positions in the relationships (McCoy’s real old flame is simply the wife of the noted researcher and has followed her man out to this galactic backwater, McCoy is there in a position of power to enforce Star Fleet regulations on them, and the salt beast must sneak around and is hunted for most of the episode; Chapel’s love is in control of the situation, dictates terms to Kirk, and is only defeated through cunning) divides them along traditional gender roles.  So I’m enjoying myself, but I can’t get too excited about the forward-thinkingness of Star Trek because its mores are 50 years out of date.  Intellectually, I can put myself in the position of seeing why things are the way they are, but emotionally, I’m not interested in going back to the 60’s.

  17. Kevin Black Avatar

    I don’t know that the producers would have signed off of the gender switches you mention, but the stories would have all worked just as well, which tells me the roles for women you mentioned are good parts and not just kabuki damsel in distress screamer roles. The one thing we know they would never have done is put a man in Chapel’s microskirt uniform/dress.

    The part that seems more quintessentially 1960s to me is the fetishisation of Capt. Kirk’s masculine puissance, which was not very prominent in the first batch of episodes, but is starting to come to the fore now. “I know just how to scramble this android’s programming–KISS ME ROUGHLY!”–that’s a bit silly.

  18. R. Alex Reutter Avatar

    Yes, exactly!  “Would have” worked as well, but the original series stories seem to always be told with the traditional gender roles++.  I don’t want to drag the conversation too far from original series, but this is part of the reason why we loved Tasha Yar; she was a woman with more of Kirk’s swagger than anyone else in the TNG cast.  She was the Great Yonic Hope, but with her passing, the two women left in the cast were caretakers: the ship’s counselor, and the ship’s medic (and mommy), both with apparently the same limited physical training as yeoman Rand.  This is why we desperately clung to the too-few episodes of Ensign Ro+++, this is why we cheered the addition of Alexander (to show a single male caretaker), this is why we needed the storylines on Troi’s growing assertiveness, and Riker’s seeming lack of male-typical career drive in favor of sticking with his Enterprise “family”.

    The Star Trek franchise makes progress… slow, agonizing progress that sometimes feels like it’s stuck in neutral in the later series, on the gender front, so part of the reason why Farscape is my favorite space-based TV series is that Aeryn Sun and John Crichton (and the others) are equals and (eventually) partners, and Aeryn is able to be a badass and Crichton is able to be sensitive and both are simply able to be people.

    ++ there are lots of episodes to go, but given the era in which they were made, I’m not holding my breath.  🙂

    +++ though, again, instead of forward-thinking to show us an era in which a strong, driven female character is treated the same way as Riker, the treatment of Ro simply mirrors our own time.

  19. Allen Knutson Avatar

    My distant memories of TOS are of Spock as sensibility and Kirk as sense, triumphing through his ability to e.g. seduce androids. (I find it extremely annoying that Kirk can beat Spock at 3-d chess though his unpredictability.) So I really liked Kirk’s quick thinking on how to send a message to Spock, plus his figuring out how to get through to Ruk. Whereas Spock’s reaction, to assemble a landing party that beams down after fake Kirk and not to tell him, is just Spock living up to standards.

    Shouldn’t someone have asked fake Kirk about the redshirts? Speaking of which, haven’t we had a lot of fake Kirks recently? Perhaps they should have him routinely undergo a medical scan each time he beams up.

    I’d like to mansplain here for a moment my interpretation of the android-seducing scene. I think one should classify Andrea as like a hormonal teenager fresh out of a convent, more easily swayed by a kiss than more worldly women are. So I’m in the camp that says that Korby didn’t use her as a sexbot. 

    It’s so sad that Ruk and Spock didn’t get a chance to commiserate about how much humans suck. 

  20. R. Alex Reutter Avatar

    Oh, my.  A vision entered my head of a montage of every scene of Kirk seducing a space vixen, with a soundtrack of William Shatner reciting Billy Joel’s “Only the Good Die Young”, with suitably altered lyrics.  “Come out, Andrea, don’t let… me wait.  You… space android girls… start… muchtoolate.  Sooner… or later!  It… comes down… to FATE.  I… might as well be the one.”

    Assuming for a moment that Korby didn’t use Andrea as a sexbot, Kirk must have intuited this, which I guess explains why he didn’t try this maneuver on Ruk?

  21. Allen Knutson Avatar

    Remember how jealous Ruk looked when Korby told him never to make fun of Christine? Kirk caught that look.

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